The High Court has rejected a legal challenge attempting to ban trans people from Hampstead Heath’s single-sex ponds. Good Law Project speaks to the activists and regular swimmers behind the movement ...
Dystopias are everywhere we look and Silicon Valley’s uninspiring visions for the future offer little hope – here, Thom Waite explores the cultural history of optimism, and how it could shape our sens...
The former Alaïa designer replaces Dario Vitale, becoming the first new boss under Prada Group ownership
Andie, Darling is a poignant photo project by Elsa Hammarén which documents her muse across two years
Davies’ semi-autobiographical feature film feature follows a pair of brothers vying for their father’s affections, set against the fraught backdrop of 1990s Nigeria
In her book, Tell Me How You Eat, Amber Husain explores how the state of the world can impact our relationship with food
Shot at Belgrade’s most iconic landmark, the Avala Tower, the brand’s latest campaign is an invitation to explore...
Split across three locations, the activation started with a special DJ set before heading to the flagship store and ending with a surprise performance from the critically acclaimed rapper
New horrific allegations against the museum trustee, artists push against ICE, and the Philadelphia Museum of Art says goodbye to "PhAM."
The program has awarded more than $17.5 million to US visual arts organizations pursuing energy efficiency assessments and projects.
The trailblazing sculptural practice of Edmonia Lewis, the birth of modernism in Montmartre, the luminous paintings of Kaylene Whiskey, and Gainsborough’s alluring fashion portraits are among our favo...
The entire team of in-house photojournalists was also cut, as were multiple critics and editors across the Bezos-owned paper’s culture section.
“We love that we’re able to make art as queer artists inside a church.”
This week: the art of writing love letters, Black-owned bookstores across history, poets on the Parthenon Marbles, opening a 1926 time capsule, and more.
“Mary Magdalene in Ecstasy” (c. 1625) is the first work by the Italian Baroque artist to enter the institution’s collection.
